BIOGRAPHY |
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| 2004 | MFA, Studio Art, California Institute of the Arts, Valencia, CA |
| 2000 | WS, Women’s Studies Certificate, Ohio University, Athens, OH |
| BFA, Painting, Ohio University, Athens, OH | |
| 1978 | Born, Chicago, IL |
ONE & TWO PERSON EXHIBTIONS |
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| 2007 | (THIS ISN'T HAPPENING) POPULAR HALLUCINATIONS FOR YOUR HOME. Bank, Los Angeles, CA |
| SPATIAL VARIATIONS: BARI ZIPERSTEIN & JONATHAN FURMANSKI. The Harris Art Gallery, The University of La Verne, La Verne, CA | |
| 2005 | 10 X 10: 8 WEEK LEASE (RELUCTANT MONUMENT). San Francisco Art Commission Gallery, San Francisco, CA (catalog & artist book) |
| 2004 | 10 X 20: 1 WEEK LEASE. MFA Thesis, A402 Gallery, California Institute of the Arts, Valencia, CA |
GROUP EXHIBTIONS |
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| 2008 | ARCHITECTURE OF PERCEPTION. Curated by Elaine Bradford, Box 13, Houston, TX |
| TRUTHINESS: PHOTOGRAPHY AS SCULPTURE. Curated by Tyler Stallings, UCR California Museum of Photography, Riverside, CA (catalog) | |
| INTERSECTION, Collaboration with Jed Lind, Bari Ziperstein + Jasmin Shokrian. Outpost for Contemporary Art, Los Angeles, CA | |
| EDGE OF LIGHT. Curated by Emily Newman, C.A.G. Gallery, St. Petersburg, Russia | |
| POSSIBLE IMPOSSIBLE DIMENSIONS. Curated by Holly Myers, Center for the Arts, Eagle Rock, CA | |
| 2007 | REVERIE + REVOLT: Contemporary Collage. Curated by Jane Hart. Art/Center South Florida, Miami, FL |
| A SPECTRAL GLIMPSE. Curated by Jim O'Donnell, Platform Gallery, Seattle, WA | |
| NOTES FROM THE OVERPASS: New Art From Los Angeles & St. Petersburg. Curated by Emily Newman, Gallery 18, Helsinki, Finland | |
| MODULAR: New Art From Los Angeles. Curated by Dana Turkovic, White Flag Projects, St. Louis, MO | |
| MULTIPLE VANTAGE POINTS: Southern CA Women Artists, 1980-2006. Curated by Dextra Frankel, L.A. Municipal Art Gallery, Barnsdall Park, Los Angeles, CA (catalog) | |
| EXQUISITE ACTS & EVERYDAY REBELLIONS. Curated by Elana Mann. California Institute of the Arts, Valencia, CA | |
| 2006 | WE STORE, COLLECT & MEMORIZE. Curated by Johannes Schoen, Cypress College Art Gallery, Cypress, CA |
| SPRAWL. Bank, Los Angeles, CA | |
| 2005 | LA ART GIRLS. Anna Helwing Gallery, Culver City, CA |
| 3 PERSON SCULPTURE SHOW. Bank, Los Angeles, CA | |
| WORKS ON PAPER: From Drawings to Ammo. Bank, Los Angeles, CA | |
| 2004 | SUPERSONIC. Art Center College of Design Windtunnel, Inaugural Exhibition, Pasadena, CA (catalog) |
| NO PLACE LIKE PLACE. Curated by Evelyn Serrano, Tel Aviv, Israel | |
| PAREIDOLIA. Orange County Center for Contemporary Art, Curated by Eleanor Antin, Santa Ana, CA | |
LECTURES/WORKSHOPS/PARTICIPANT |
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| 2007 | UNIVERSITY OF WASHINGTON, Visiting Artist Lecture, Seattle, WA |
| CORNISH COLLEGE, Visiting Artist Lecture, Seattle, WA | |
| ART INSTITUTE OF CA, Artist Lecture in Contemporary Art History Class, Los Angeles, CA | |
| MONSTER DRAWING RALLY, Outpost for Contemporary Art, Los Angeles, CA | |
| UC IRVINE, Speaker on Career Panel, Irvine, CA | |
| L.A. MUNICIPAL ART GALLERY, Artist Lecture in conjunction with MULTIPLE VANTAGE POINTS: SOUTHERN CA WOMEN ARTISTS, 1980-2006, Los Angeles, CA | |
| UCLA EXTENSION, Artist Lecture in conjunction with Solo Debut, Bank Gallery, Los Angeles, CA | |
| 2006 | ROSAMUND FELSEN GALLERY, Curatorial Walk Through in conjunction with A PLAY ON ACTION: 5 LOS ANGELES ARTISTS CONSIDER FEMINISM, UCLA Extension, Santa Monica, CA |
| ROSAMUND FELSEN GALLERY, Panel discussion with artists in conjunction with A PLAY ON ACTION: 5 LOS ANGELES ARTISTS CONSIDER FEMINISM, hosted by The Fellows of Contemporary Art, Santa Monica, CA | |
| 2005 | SANTA MONICA MUSEUM OF ART, Kids’ Art Station, Held workshop based on 'Box Project', Santa Monica, CA |
| LA VERNE COLLEGE, Artist Lecture to Women’s Studies Class, La Verne, CA | |
| 2004 | UCLA EXTENSION, Artist Lecture in conjunction with Supersonic exhibition, Art Center, Pasadena, CA |
| 2003 | PASADENA CITY COLLEGE, Guest lecture, ‘Buffy & Feminism,’ Pasadena, CA |
CURATORIAL PROJECTS |
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| 2006 | A PLAY ON ACTION: 5 LOS ANGELES ARTISTS CONSIDER FEMINISM, Rosamund Felsen Gallery, Santa Monica, CA |
DISTINCTIONS |
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| 2004 | Scholarship, ArtTable Curatorial Internship, Santa Monica, CA |
| 2003 | Institute Scholarships, California Institute of the Arts, Valencia, CA |
| 2002 | Institute Scholarships, California Institute of the Arts, Valencia, CA |
RESIDENCIES |
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| 2003 | PAINTING’S EDGE, Two-week painting workshop Idyllwild, CA |
| 2001 | VERMONT STUDIO CENTER, Eight-week studio residency, Johnson, VT |
BIBLIOGRAPHY |
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| 2008 | Beil, Kim. ’Young Art: 15 Artists under 35,’ Art LTD, May 2008 (reproductions) p. 60-61. |
| Dority, Kendra. 'Goodbye Realism, Hello Abstraction,' The Occidental Weekly, Feb. 13, 2008 (reproduction) | |
| Grider, Nicholas. 'Artist Interview,' iheartphotograph.com, Feb. 2008 (reproductions) | |
| Niederlander, Rebecca. 'Continuing & Recommended Exhibitions,' Artscene, February 2008 | |
| Gray, Emma. 'LA Confidential,' Artnet, January 25, 2008 | |
| 'Hermetic in spirit, public in response,' Artscene Preview Newsletter, February, 2008 | |
| 2007 | Graves, Jen. 'A Spectral Glimpse,' The Stranger, Wednesday November 7, 2007 (reproductions) |
| Luis, Carlos M. 'Reverie + Revolt,' El Nuevo Herald, Sunday October 28, 2007 | |
| Krainak, Paul. Review, Art Papers, July/August, 2007, pp.73-4 | |
| Asher, R. Review, artUS, Issue 18, May/June, 2007, p. 29 (reproduction) | |
| Coleman, Caryn. "Artist Interview," Suicidegirls.com, May 2007 (reproductions) | |
| Beil, Kim. “Bari Ziperstein at Bank,” Artweek, April 2007, pp. 18-19 (reproductions) | |
| Lo, Melissa. "At the Galleries, Los Angeles," Flash Art, March/April 2007, p. 73 (reproduction). | |
| Myers, Holly. "Feminist art exhibit measures magic, beauty "Multiple Vantage Points" dynamically captures the feminist spirit," LA Times, Tuesday March 13, 2007. | |
| Mizota, Sharon. Review, Art LTD: West Coast Art & Design, March 2007. | |
| Bonetti, David. "Galleries showcase the new and the vintage," St. Louis Today, Sunday February 4, 2007. | |
| "Hell-Sinky," Downtown News, Monday January 22, 2007; p. 26 (reproduction). | |
| Callahan, Teresa. "Raising the flag," West End Word, Wednesday Jan 24, 2007. | |
| Bonetti, David. “White Flag unveils LA creativity,” St. Louis Today, Thursday January 4, 2007 (reproduction). | |
| 2006 | Knight, Christopher. “Artists who stand out from the group,” LA Times, Friday August 11, 2006. |
| 2005 | Roth, Charlene. Review, Artweek, May 2005, p. 19, 20 (reproduction) |
| Baker, Kenneth. Review, The San Francisco Chronicle, Saturday July 23, 2005, p. E1 | |
| Windborne, Jamie. Review, Art News Extra, Saturday June 25, 2005 (reproduction) | |
| 2004 | Knight, Christopher. “Artworks With Wattage,” review & photo, LA Times, Monday June 21, 2004 (reproduction) |
PERTINENT WORK EXPERIENCE |
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| 2008 | STUDIO MANAGER, Pat O'Neill Studio, Pasadena, CA |
| SCULPTURE PROFESSOR, University of California at San Diego (UCSD), Adjunct Faculty, Spring 2008, San Diego, CA | |
| 2007 | PAINTING/SCULPTURE PROFESSOR, University of California at San Diego (UCSD), Adjunct Faculty, Spring 2007, San Diego, CA |
| 2006 | ART & FEMINISM, CalArts, Adjunct Faculty, Fall 2006, Valencia, CA |
| 2004 - 2006 | ASSISTANT DIRECTOR, Rosamund Felsen Gallery, Santa Monica, CA |
| 2006 - 2008 | MARKETING MANAGER, Getting Your Shit Together (GYST), Professional Business Solutions for Artists, Los Angeles, CA |
| 2004 | CURATORIAL INTERNSHIP, Santa Monica Museum of Art, ArtTable Curatorial Internship, Santa Monica, CA |
CONTACT BARI ZIPERSTEIN: