Guest curator Holly Myers describes Possible Impossible Dimension as "six artists who approach abstraction with a rigorous sense of spatial dynamics and an abiding concern--often absent in abstraction--for the relationship between the world they create in their work and the world outside their studio." Bari Ziperstein's sumptuous works appear to decide "if you can't beat 'em, join 'em" in the way it addresses the gallery’s notable architectural personality. “Untitled (Chandelier)” incorporates her signature stark white geometric shapes with a found object, a brass chandelier in this case. Her Chandelier's cord journeys through the building's own chandelier, weaving an organic timeline through L.A. history. Chris Natrop is represented singularly by “Substructure Spring Drip,” a characteristic tape on cut paper work that grows into and out of a corner. Sparsely underpainted in areas with pink neon color, the work has a magical glow. Dorsey Dunn's sound work “A Sensation of Movement” asks the listener to walk through a series of tall black foam sculptures each with flowing sound, possibly of an airport or train station. Sound pieces often ask such things of their listeners, a general "what am I listening to?" The particulars of this piece, housed within the landmarked building, create a poignant reflection on history. The piece is as delicate and airy as its foam housing, and as weighty as time itself (Center for the Arts, East Rock, Northeast Los Angeles).